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PreSonus PD-70 Dynamic Broadcast Microphone

Exactly Designed For The Human Voice

By Barry Rudolph

PreSonus PD-70 Dynamic Broadcast Microphone
  PreSonus PD-70 Dynamic Broadcast Mic 

The PD-70 Dynamic Broadcast Microphone is specifically designed for capturing the human voice and improving intelligibility even in acoustically unfriendly spaces. The cardioid pickup pattern reduces the amount of extraneous and unwanted background noise entering the mic's sides and back while focusing on voices in front of it--just what you want for podcasts or radio broadcasts.

The all-metal PD-70 is an end-address dynamic mic with an integrated (yet removable) foam windscreen and a simple, compact mechanical design that will fit and look great on the smallest of desktops. You can thread the mount onto a standard mic desk stand or boom, and connect a cable to any preamp using its gold-pinned XLR output jack. It comes ready to use with a gimbal-style integrated yoke mount that allows tilting the mic up or down to aim it precisely. Once in position, it has a single knob to lock it down. It does not get any simpler than this!

I tried the PD-70 in two ways: in my recording studio as vocal mic using my Retro Instruments 500PRE Microphone Preamp; I also put it up for a Zoom meeting using it with my SSL 2 USB Audio Interface.

The PD-70 has a frequency response of 20Hz to 20kHz with a shelving boost starting at about 1.5kHz and extending out to 10kHz. I can hear that little boost in the mid-range--especially on small computer speakers--and it does impart a certain gravitas and authority to speaking voices. I found it helpful for somber-sounding online speakers as long as they stayed close in front of the mic to maintain a fat sounding "lift in the bass" due to the cardioid proximity effect.

At the same time, the PD-70 suppresses p-pops better than some other dynamic mics I have with or without a pop filter. Removing the foam windscreen, you can see a resemblance to the internal mechanical design of the Shure SM-7B dynamic mic.

Paired with the 500PRE (tube based preamp), the sound was rich and noise-free, and I would have no issues using the PD-70 for a loud singing lead vocal track--provided the singer could stay aimed at the mic. The SSL 2 USB preamp worked well except for very quiet singing when that unit starts to run out of available mic gain.

The PreSonus PD-70 wins as a workhorse of a mic that will improve the sound of anyone doing online podcasting, Internet radio or hosting/participating in Zoom meetings.



 Barry Rudolph 
Barry Rudolph is a recording engineer/mixer who has worked on over 30 gold and platinum award-winning records. He has recorded and/or mixed Lynyrd Skynyrd, Hall & Oates, Pat Benatar, Rod Stewart, The Corrs, Mick Jagger and Rick Rubin.
A three-time Grammy-nominated engineer, Barry has his own futuristic music mixing facility called Tones 4 $ Studios.
He is a lifetime Grammy-voting member of NARAS, the 'New Toys' columnist for LA's Music Connection Magazine and Contributing editor for Mix Magazine.

Check out: www.barryrudolph.com     www.gearlust.com

 Presonus Audio 
Web: Presonus PD-70

Product: PreSonus PD-70 Dynamic Broadcast Microphone

Price: $129.95 MSRP

Pros: A solid dynamic broadcast sounding microphone

Cons: None


Barry Rudolph is an L.A.-based recording engineer. Visit his Web site at: WWW.BARRYRUDOLPH.COM



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